DEADGRANDMA’S BEST OF 2017: 5-1

So here we are, at the end of my top 20 list. Here are the 5 albums of 2017 that I feel exemplify the best of what the year had to offer. Thanks once again for reading. Let’s get into it shall we?

5. Boris- DEAR

Ahh, Boris. Forever pushing the boundaries, this year played it a little more safe and just put out an album you can tell they loved making. It plays to all their strengths, it’s easily their heaviest release in a long while- and in turn, surprisingly, their most accessible. It’s an invigorating listen, so many of Boris’ finest tropes on display in one tight package. It rocks, it drones, it wails, it rumbles. It’s Boris.

4. Converge- The Dusk in Us

Converge return for their first album in five years, and once again, prove that they are the kings of modern hard-core. This album is truly spectacular, each and every song is meticulous, the production amazing. It houses some of the most amazing drum work I have heard in almost a decade. Converge not only manage to bring the best hard-core/punk/metal release of the year, it might be their best album to date- though that will be hotly debated. Either way, no one can deny it’s power and prowess. Also, when has hard-core ever been this beautiful? Next level stuff.

3. St. Vincent- MASSEDUCTION

St. Vincent delivers the best western pop release of the year in 2017. Hauntingly potent, amazingly catchy, it’s a small revelation in itself. I often roll my eyes when an indie rock artist goes the electronic dance route- it’s quite an overdone trope in modern music to me- however, it’s as if St. Vincent was made for it. Never leaving her rock roots behind, St. Vincent uses the electronic medium to expand her vision and deliver her stories home in a way that will shake up any listener. It’s fun, yearning, sexy and most of all- just sounds damn good. Get it.

2. Seiko Oomori- kitixxxgaia

Let’s face it- anyone who follows me at all will have known this was going to be in the top five. Seiko Oomori has once again delivered an album that has been talked about, pondered over, loved and in turn- loathed even more by detractors, depending on who is listening. Her expansion of themes into religion, idol culture, sex and personal politics are really what stand out the most here. kitixxxgaia is a very important album to me, I have listened to it countless times. Every song has its place. The use of new producers and collaborators make it her most expansive- and exhausting album to date. As Seiko’s career gets bigger- her music does too, and this is no doubt the biggest, most over-the-top, huge, visionary and most importantly, entertaining J-pop album of 2017. Amazing. Goddamn amazing.

Read my full review here.

1. Phew- Light Sleep

Phew’s latest album, Light Sleep, is hands down the most overwhelming album I heard this year. It’s almost atonal sea of electronics sends chills down my spine every single time. Phew never relies on nostalgia or catchy hooks to create her works- and it really makes me appreciate what a talent she really is. Light Sleep is a solo project in every sense of the term- literally recorded in her own bedroom, utilizing a whole set of old analog equipment- and it’s used to perfect, haunting effect. It gives a sense of peering into someone’s private world, never fully penetrable but always inviting. Best experienced with a good set of headphones, Light Sleep’s melting pot of noisy, droning electronic hums and beat up drum machines will not hold your hand, but those willing and patient enough will find no album as rewarding as this. Phew has created her best work in years, an experimental masterpiece that further cements her legendary status in the Japanese music scene. A must listen for serious music fans, and truly the best album I listened to in 2017.

A masterpiece.

Advertisements
DEADGRANDMA’S BEST OF 2017: 5-1

DEADGRANDMA’S BEST ALBUMS OF 2017: 10-6

10. Seiko Oomori- MUTEKI

MUTEKI is a celebration of all things Seiko Oomori, the ultimate in fan-service. 18 re-recorded songs selected from her entire backlog, stripped down to their essence, either backed with her trademark acoustic guitar or some delightful piano work, it’s a treat for any Seiko Oomori fan. It also features two new full studio songs that are both wonderful in their own way, but let’s face it, we’re all here for the acoustic songs.

It’s addictive, time consuming (at nearly a full CD), indulgent, essential and utterly Oomori. While it didn’t resonate as much as this years main release, “kitixxxgaia”, it certainly is a must hear for anyone interested in hearing some of the top-tier J-pop at the current time. Read my more in-depth review here.

9. CHAI- PINK

CHAI’s debut full length is one of the most charming albums of 2017. Short, wild, groovy and energetic, PINK marks one of the most exciting newcomer albums in quite a while. CHAI have a real sense of control, and never are ones to take themselves too seriously. The musicianship is very strong, the vocals shout-along and full of youth edge. It’s addictive, colorful and most of all, damn fun. Can’t recommend this one enough.

8. Björk- Utopia

Björk returns in 2017 with her longest album of her entire career. It’s also one of her most colorful and layered releases. Some may find it overwhelming or even impenetrable at first- indeed, there are barely any ‘catchy’ moments on this beast. Those who have the patience though, will be rewarded for their time, as more and more of this album reveals itself through repeated listens. A latecomer in 2017, but such a strong release that it managed to shoot it’s way into the Top 10 without any hesitation. It’s big, it’s bold, it’s Björk.

7. Hirone-chan- Yume no Yume

Hirone-chan’s “Yume no Yume” was the biggest surprise for me in 2017. After a string of promising but fairly “Seiko clone” style albums, Hirone-chan finally found her calling with this one. It’s an absolutely gorgeous listen that creaks, pops and rattles along with a complex subtlety that becomes more and more noticeable on repeated listens. Hirone-chan really has matured significantly, and her songwriting has improved tenfold. A must hear for fans and newcomers alike.

Read my full review here.

6. Leah Dou- Kids Only

Leah Dou returns with her sophomore album, and damn what a followup. A sophisticated, engrossing and hypnotic record from end to end, Dou really expands on the sound she is known for and takes her experimental side to a new level. It’s a perfect album to chill out with, and certainly the most interesting Mandarin language album you’re gonna come across this year. An intoxicating blend of looping samples, beats, funk, jazz and smooth vocals- it’s about as perfect a second album a fan could ask for. Most of all, it feels honest and truly from a place that Dou understands and owns. Get on it.

DEADGRANDMA’S BEST ALBUMS OF 2017: 10-6

DEADGRANDMA’S BEST ALBUMS OF 2017: 15-11


15. Angel Olsen- Phases


Angel Olsen’s “Phases” is not a ‘proper’ album as such, it is a compilation of outtakes, unreleased material and b-sides. However, the choices here are so strong, and the structuring of the album so well thought out, it almost feels like listening to a fully-fledged release. Olsen’s hypnotic voice, subtle songwriting and potent lyricism really shine throughout this release, and it’s a good placeholder while we wait for whatever she intends to release next. A must hear. Plus, the album cover is awesome.

14. ZOMBIE CHANG- GANG!

ZOMBIE-CHANG’s continual expansion and adaption to the electronic scene has been quite an experience to be part of, and her newest album “GANG!” is no exception. This time round, the production is punchier, brighter and the album feels a lot tighter. It’s loaded with catchy tunes and unexpected ear-worms, as well as some amazing vocal improvements on ZOMBIE-CHANG’s side. It’s a short and sweet listen that demands multiple rewarding replays.

13. Fleet Foxes- Crack Up

Crack Up” marks Fleet Foxes’ long overdue return to the music scene- and what a return it is. It’s not as immediately accessible as previous album “Helplessness Blues” but it is far more complex and demanding. Songwriter and mastermind Robin Pecknold brings to Crack Up everything he has- it’s a sweeping, engrossing journey from start to end, often so textured that it will need multiple listens to break down and make sense of it all. Political, personal and damn addictive, Crack Up is both the best Fleet Foxes album this year -and in general.

12. Arcade Fire- Everything Now

I know, I know. This one may come across as a bit of a shock- after being panned critically and having such a negative response from the fan-base- but, still, I really had a great time with this one. Arcade Fire this time are playful, pretentious, corny and overly theatrical- but I feel in context of the album- it all works. The theme here is consumerism, selling out to the extreme. The track-list is presented as ‘our sponsors’ and each title has it’s own logo. The lyrics insert is presented like a catalog. It’s all very, very tongue-in-cheek and I feel some may have missed that aspect of the album. The thing that makes it all work though- is how damn catchy some of these tracks are. Call me a heathen but I LOVED the maligned single “Signs of Life”. It’s a long leap from the Arcade Fire of yore, but in this particular case- it’s fine with me and I’m happy giving it a rightful place in my top 20.

11. Tori Amos- Native Invader

Jesus Christ!  A TORI AMOS album in my top 20 in 2017? Things are really getting weird now! Indeed, Tori seemingly has broken her dry spell that she was under the last, oh, decade or so. Native Invader has some of the most compelling, subtle and beautiful work from the songwriter in a long, long time. While the production is still a little on the flat side, its still not enough to take away from the magical qualities of the tracks presented here. It made me feel like a teenager all over again, a fantastic blast from the past. This is the best Tori Amos album since Scarlet’s Walk in my opinion, and that’s some tall praise right there. Check it out!

DEADGRANDMA’S BEST ALBUMS OF 2017: 15-11